HISTORY OF
THE SAPIEHA PALACE

The northern and western facades of Sapieha Palace as seen from the park, with lights on. Photo by Norbert Tukaj.

The Sapieha Palace is a High Baroque countryside villa, and part of an ensemble of residential and cult buildings, built in the Vilnius-suburb of Antakalnis in the 17th century.

 

The palace was constructed between 1689 and 1692 by the order of Kazimierz Jan Sapieha, Grand Hetman of the Grand Duchy of Lithuania, voivode (palatine) of Vilnius. Situated next to the palace is a French-style park, Trinitarian Monastery and the Church of Jesus the Saviour. Architect Giovanni Battista Frediani, sculptor Giovanni Pietro Perti, and painter Michelangelo Palloni worked on the ensemble. 

Drawing depicting the ruins of a building in Antakalnis. Watercolor by Jokūbas Šolma.

Western facade of Sapieha Palace with green corner turrets and trees painted in the background. Watercolor by Jonas Šolma.

The Sapieha family owned the palace until the 18th century. Later, in the 19th century, a hospital was located there, as well as an ophthalmology clinic, while in the Soviet era, an elite school of anti-aircraft defence radiotechnics was stationed there. After Lithuania regained its independence, a long period of archaeological and architectural research was carried out, and a restoration programme of the palace architecture was devised, the palace was restored and adapted for use. In the spring of 2024, the palace will open to visitors as a new department of the Contemporary Art Centre.

 

The palace and park is the only existing ensemble from the Baroque period in Lithuania to have survived and boasts many important elements that have been preserved to this day: the palace building itself, the park, three gates, and the remaining walls that border the palace courtyard and park. However, in the 200 years since the Sapieha family left Antakalnis, the architecture of the park’s greenery has changed, and farm yard buildings and sections of wall in the courtyard and park have been demolished. It is the surroundings of the ensemble that have experienced the most significant change: the forests have been replaced by built-up quarters and the visual and compositional connection of the park with the nearby church has been obstructed by a 19th-century hospital building.

 

In 2001, the Sapieha Palace was officially registered on the list of Real Heritage of Lithuania following the earlier registration of the complex of buildings of the Sapieha residence, the Trinitarian monastery and the hospital in 1992.

Arched windows in the northern gallery on the 2nd floor, decorated with stucco ornaments, oak leaves, and mythological characters. Photo by Audrius Solominas.

Part of the restored Great Hall of the Sapieha Palace with pilasters and light streaming through the open doors. Photo by Norbert Tukaj.