{"id":7203,"date":"2024-10-30T13:54:00","date_gmt":"2024-10-30T13:54:00","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=exhibition&#038;p=7203"},"modified":"2025-09-21T23:27:22","modified_gmt":"2025-09-21T23:27:22","slug":"jcdecaux-award-2024-fall","status":"publish","type":"exhibition","link":"https:\/\/sapiegurumai.lt\/en\/exhibitions\/jcdecaux-award-2024-fall\/","title":{"rendered":"JCDecaux Award 2024: fall"},"content":{"rendered":"\n<style>\n  #item-text-content-block_675964642dea7 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_675964642dea7 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_675964642dea7\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        Artists      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Elena Laurinavi\u010di\u016bt\u0117, Kamil\u0117 Pikelyt\u0117, Egl\u0117 Ruibyt\u0117, Ona Barbora \u0160lap\u0161inskait\u0117, Mantas Valentukonis<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_675964642decc {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_675964642decc {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_675964642decc\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        Curators      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Kotryna Markevi\u010di\u016bt\u0117, Ona Juci\u016bt\u0117<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_675964642dee5 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_675964642dee5 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_675964642dee5\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n            rich\">\n        <p style=\"text-align: right;\">\u201cAnd twist about the past your thoughts<br \/>\nLike some parasitic vine<br \/>\nWhich on an ancient structure\u2019s walls<br \/>\nIts widely-scattered arms will twine.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Adam Mickiewicz, Forefathers\u2019 Eve, The Living Dead<br \/>\nTranslated by Charles S. Kraszewski<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_675964643094a {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_675964643094a {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_675964643094a\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><em>fall<\/em> began with thoughts on the in-between, the horror and the bounty of an unnamed sense of the present. In five artworks, the artists invite us to enter or observe the relationship between material and human modes of being, between generations, emptiness and filler, something synthesised and homogenous.<\/p>\n<p>&nbsp;<\/p>\n<p>When young writer Adam Mickiewicz began writing the poem <em>Forefathers\u2019 Eve<\/em> two hundred years ago, he experienced the destructive force of imperialism, personal losses, heartaches, and the pressures of market and success. He transferred collective and personal anxiety to the character of the spectre. The artworks are ghosts, too. Like the Living Dead in the poem, they are mediators between different times and spaces \u2013 forever the same age, trapped in an endless moment, and drifting through the walls of the old house. <em>fall<\/em> reminds us that it\u2019s not only seasons that recur.<\/p>\n<p>&nbsp;<\/p>\n<p>The exhibition will be open until January 5, 2025, at the Northern Gallery on the first floor of the Contemporary Art Center\u2019s branch at the Sapieha Palace (L. Sapiegos St. 13, Vilnius). Opening hours of the Sapieha Palace: Mon, Wed, Thu, Fri 12:00\u201320:00, Sat 11:00\u201319:00, Sun 11:00\u201318:00. Admission to the exhibition is free.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>JCDECAUX AWARD 2024 PARTICIPANTS<\/p>\n<p>&nbsp;<\/p>\n<p>ELENA LAURINAVI\u010cI\u016aT\u0116 is an artist from Anyk\u0161\u010diai who currently lives and works in Vilnius. In 2024, she completed her Master\u2019s at the Vilnius Academy of Arts. The artist creates experimental ceramic wind instruments. Their sharp edges cut the invisible air and thus transform it into humming and whistling sounds, from which the artist forms three-dimensional soundscapes of air vibrations. Elena explores the relationship between sound and space, actualising the sonic heritage of clay whistles and connecting past and present with ceramic tools.<\/p>\n<p>&nbsp;<\/p>\n<p>KAMIL\u0116 PIKELYT\u0116 is a visual artist who lives and creates in Reykjavik and Vilnius. She uses found footage and physical remains in her work. In her installations and performances, the artist examines humanity\u2019s dominance and the tendency to annihilate non-human life forms. In questioning the systematic labelling of certain things as \u2018dirty,\u2019 Kamil\u0117 explores the masking of inconvenient truths in such a way.<\/p>\n<p>&nbsp;<\/p>\n<p>EGL\u0116 RUIBYT\u0116 is a visual artist and graphic designer who combines these fields and thus searches for meaning in particularly standardised global processes. She graduated from graphic arts studies at the Vilnius Academy of Fine Arts and then studied typography and sculpture at the Hamburg Academy of Fine Arts (HFBK). Delving into industrial technologies and looking for functional-emotional metaphors, Egl\u0117 constructs seemingly mass-produced objects partly by handiwork. In this way, the author deliberately allows mistakes to occur, which speak of contradictory humanity in the industrial machine.<\/p>\n<p>&nbsp;<\/p>\n<p>ONA BARBORA \u0160LAP\u0160INSKAIT\u0116 is an artist and educator who lives in Vilnius, where she is currently studying for an MA in Sculpture at the Vilnius Academy of Arts. The artist creates installations in which personal memories, family stories, and political contexts unfold and sometimes create conditions for different communities to meet. Recently, she has been rethinking the role of \u2018ghosts\u2019 in her work, both on personal and political levels. In using auto- and biographical facts and weaving them into fictional stories, Ona Barbora tries to highlight the influence of history and ideological heritage on past, present and future identities.<\/p>\n<p>&nbsp;<\/p>\n<p>MANTAS VALENTUKONIS is a painter who lives and works in Kaunas. In 2023, he completed his BA in Painting at the Faculty of Kaunas of the Vilnius Academy of Arts. This year, he organised a personal exhibition, Apparitions, at the Drifts Gallery in Vilnius and also curated the group exhibition Tarpin\u0117s gliaumos \/ Intermediate Glooms at the Klaip\u0117da Culture Communication Centre. The artist has presented his work in group exhibitions in Vilnius, Kaunas, and Klaip\u0117da.<\/p>\n<p>&nbsp;<\/p>\n<p>JCDECAUX AWARD 2024 CURATORIAL TEAM<\/p>\n<p>&nbsp;<\/p>\n<p>KOTRYNA MARKEVI\u010cI\u016aT\u0116 is a curator of art and educational activities and a researcher. In her professional activity, she combines interests broadly encompassing contemporary art, cultural education, and sociology. Markevi\u010di\u016bt\u0117 is interested in the interdisciplinary interaction between these fields, both in creating new experiences of art and cultural education and in reflecting on the relationship of contemporary art with established ways of knowing (science) or forms of organising social life (politics). Markevi\u010di\u016bt\u0117 currently works in the education department of the National Gallery of Art and collaborates with other Lithuanian cultural institutions on curatorial and educational projects. In 2018-2020, she was a curator of residencies and exhibitions at the Rupert Centre for Art, Residencies and Education, where she co-curated the exhibitions Jonas Mekas: Let Me Dream Utopias (2019, Rupert) and Other Rooms (2020, Rupert, LDS Gallery).<\/p>\n<p>&nbsp;<\/p>\n<p>ONA JUCI\u016aT\u0116 is an artist, curator, and stage designer based in Vilnius. She has held solo exhibitions at Editorial Project Space (Vilnius) and the Centre for Contemporary Art Derry~Londonderry (London). Her work has also been presented in group exhibitions at MOCAK Museum (Krakow), Istanbul Biennial Parallel Programme, Kaunas Artists\u2019 House, and multiple institutions in Vilnius, including the Contemporary Art Centre, National Gallery of Art, Atletika, Rupert, Swallow Project Space, and others. Juci\u016bt\u0117 participated in residency programmes at AIR Niederosterreich in Austria, Stiftung Kuenstlerdorf in Germany, and Diyalog Istanbul in Turkey. In 2021, her sculptures became part of the permanent collection of the Kiasma Museum of Contemporary Art in Helsinki. Juci\u016bt\u0117 has been awarded the JCDecaux Prize 2016 and a prize founded by Lithuanian-born American artist Aleksandra Ka\u0161uba.<\/p>\n<p>&nbsp;<\/p>\n<p>JCDECAUX AWARD 2024 JURY<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">REBECCA ACKROYD is a British artist who studied in London and currently lives and works between London and Berlin. She has had solo exhibitions at Kestner Gesellschaft, Hanover (DE); Fondaco Marcello, Venice (a Collateral event of the Biennale di Venezia) (IT); MAC, Lyon (FR); and Fondazione Pomodoro, Milan (IT). Ackroyd has taken part in the Lyon Biennial and exhibitions at Mead Gallery, Warwick (UK); Capc Mus\u00e9e d\u2019art contemporain, Bordeaux (FR); Stanley &amp; Audrey Burton Gallery, University of Leeds (UK); and A\u00efshti Foundation, Beirut.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">JL MURTAUGH (Liam) is the curator of residencies and public programmes at the Rupert Centre for Art, Residencies, and Education. An artist, curator, writer, and consultant originally from Chicago, he is now based in Vilnius.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Recent projects with Rupert include <\/span><i><span style=\"font-weight: 400;\">Wherever we are We are what is missing<\/span><\/i><span style=\"font-weight: 400;\"> (with Goda Palekait\u0117), <\/span><i><span style=\"font-weight: 400;\">Redux codex<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Earth Bonds II<\/span><\/i><span style=\"font-weight: 400;\"> (with Viktorija \u0160iaulyt\u0117), <\/span><i><span style=\"font-weight: 400;\">Mutual Empathies<\/span><\/i><span style=\"font-weight: 400;\"> (with Goethe-Institut Vilnius and Akademie der K\u00fcnste der Welt, Cologne (DE)), and the <\/span><i><span style=\"font-weight: 400;\">Articulations<\/span><\/i><span style=\"font-weight: 400;\"> programming series.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since 2014, he has also organised more than sixty international projects under the alias of Syndicate, a liquid, nomadic contemporary art platform. Formerly headquartered in London, Cologne, and Los Angeles, Syndicate produces exhibitions, events, and publications with its long-term collaborators throughout Europe and North America. Liam was formerly the artistic director of Autarkia, Vilnius from 2020-23, and director of Tenderpixel, London from 2012-14.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">SATU OKSANEN is a Finnish curator based in Helsinki. Currently she works as a curator of collections at Kiasma Museum of Contemporary Art \/ Finnish National Gallery, where her focus is on collecting, researching, and mediating contemporary art in an institutional framework. Her main interest lies in the constant negotiation between contemporary art practices, museum institutions, and permanent collections. In recent years, she has collaborated with artists such as Essi Kausalainen and Alma Heikkil\u00e4, commissioning performative and site-specific works for Kiasma\u2019s collections.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Her most recent project is the collection exhibition <\/span><i><span style=\"font-weight: 400;\">Feels Like Home,<\/span><\/i><span style=\"font-weight: 400;\"> with her next collection display scheduled to open in February 2025 at Kiasma. Previously, she worked at the Helsinki Art Museum where she curated public space commissions and temporary exhibitions, among other projects. Oksanen holds an MA in Art History from the University of Helsinki and a BA in Design. She has participated in residencies at ISCP in New York and Rupert in Vilnius.<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_67596464309ee {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_67596464309ee {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_67596464309ee\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n            rich\">\n        <p>COORDINATORS<br \/>\nEdgaras Gerasimovi\u010dius, Povilas Gumbis<\/p>\n<p>&nbsp;<\/p>\n<p>EXHIBITION&#8217;S ARCHITECTS:<br \/>\n\u201eDraug\u0173 vardai\u201c<\/p>\n<p>&nbsp;<\/p>\n<p>TECHNICAL TEAM:<br \/>\nJok\u016bbas \u010ci\u017eikas, Antanas Dombrovskij<\/p>\n<p>&nbsp;<\/p>\n<p>EDUCATION:<br \/>\nMargarita \u017digutyt\u0117, Agn\u0117 Tali\u016bt\u0117, Goda Dama\u0161evi\u010di\u016bt\u0117, Laura Misi\u016bnait\u0117, Saul\u0117 Noreikait\u0117, Gerda Sokelyt\u0117<\/p>\n<p>&nbsp;<\/p>\n<p>GRAPHIC DESIGN:<br \/>\nVytautas Volbekas<\/p>\n<p>&nbsp;<\/p>\n<p>COMMUNICATION:<br \/>\nMonika Valatkait\u0117, Giedr\u0117 Ivanova<\/p>\n<p>&nbsp;<\/p>\n<p>LANGUAGE EDITORS:<br \/>\nDang\u0117 Vitkien\u0117, Gemma Lloyd<\/p>\n<p>&nbsp;<\/p>\n<p>TRANSLATOR:<br \/>\nAistis \u017dekevi\u010dius<\/p>\n<p>&nbsp;<\/p>\n<p>PROJECT MANAGERS:<br \/>\nNeringa Bumblien\u0117, Karolina Tomkevi\u010di\u016bt\u0117<\/p>\n<p>&nbsp;<\/p>\n<p>ORGANISERS:<br \/>\n\u0160iuolaikinio meno centras, \u201eJCDecaux\u201c, Sapieg\u0173 r\u016bmai<\/p>\n<p>&nbsp;<\/p>\n<p>SPECIAL THANKS TO:<br \/>\nNora Bla\u017eevi\u010di\u016bt\u0117, Milda Dainovskyt\u0117, Rokas Dovyd\u0117nas, Justinas Drak\u0161as, Algirdas Jakas, Audrius Janulevi\u010dius, Egl\u0117 Jovarait\u0117, Adomas Kaikaris, Laura Kaminskait\u0117, Aras Adomas Karosas, Goda Karosien\u0117, Jogail\u0117 Lauri\u0161onyt\u0117, Agn\u0117 Makari\u016bnait\u0117, Modesta Malinauskait\u0117, Gediminas Pa\u0161venskas, Domas Puva\u010diauskas, Deimant\u0117 ir Romualdas Rakauskai, Kornelija Steinsvik, Olivija Steinsvik, Diana \u0160lap\u0161inskien\u0117, Tumas \u0160at\u016bnas, Simona \u0160ufinskait\u0117 ir gro\u017eio salonas \u201eBeauty Peak\u201c, Deividas Valentukonis, Viktorija Valskyt\u0117, Ieva Va\u0161kelyt\u0117, KTU metalo dirbtuv\u0117s, \u201eSunpor Kunststoff GmbH\u201c, Vilnius Gercas, VDA keramikos laboratorija, \u017eemaitukai Bu\u010dkis ir Me\u0161ka<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6759646430a12 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6759646430a12 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6759646430a12\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n            rich\">\n        <p>The JCDecaux Award is an annual cycle of exhibitions initiated in 2016 by the Contemporary Art Centre and the JCDecaux to promote the artwork of emerging Lithuanian artists, raising its profile in Lithuania and abroad, and expanding the public interest in contemporary art. Each year, the project\u2019s curators receive applications through an open call, evaluate them and select participants to receive financial and institutional support for the creation and presentation of new artworks. The one-off award of \u20ac4,000, granted by the JCDecaux, is awarded by an international jury to one participating artist or collective based on the originality, relevance and artistic expression of their artwork. The public are also encouraged to express their preference. The artist most appreciated by the public will be given the opportunity to present their project within the JCDecaux OOH network of public advertising spaces.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":7183,"template":"","exhibition_category":[],"class_list":["post-7203","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sapiegurumai.lt\/en\/exhibitions\/jcdecaux-award-2024-fall\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Sapieg\u0173 r\u016bmai -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"JCDecaux Award 2024: fall - 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