{"id":17392,"date":"2026-06-11T09:58:36","date_gmt":"2026-06-11T09:58:36","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=exhibition&#038;p=17392"},"modified":"2026-09-11T13:26:04","modified_gmt":"2026-09-11T13:26:04","slug":"artists-film-international-2026-a-kind-of-power","status":"publish","type":"exhibition","link":"https:\/\/sapiegurumai.lt\/en\/exhibitions\/artists-film-international-2026-a-kind-of-power\/","title":{"rendered":"Artists\u2019 Film International 2026: A Kind of Power"},"content":{"rendered":"\n<style>\n  #item-text-content-block_6aa4016ab010a {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab010a {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab010a\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Artists\u2019s Film International was established in 2008 by Whitechapel Gallery in London and since its inception has seen 32 international venues collaborate. It is an alternative, lateral programme that exemplifies non-hierarchical, borderless and collaborative curatorial models. Responding to urgent global topics, the programme cultivates collective practice and cross-cultural dialogue, fosters the exchange of ideas and perspectives, and provides wide reaching visibility for artists.<\/p>\n<p>&nbsp;<\/p>\n<p>The 19th edition of Artists\u2019 Film International, titled <i>A Kind of Power<\/i>, will bring together moving-image works that consider what it means to look, to witness, and to be seen in an age when images move instantly across borders and where surveillance looms. The programme traces the ways acts of looking produce power \u2013 how they can shelter or expose, affirm or diminish \u2013 and how responsibility inflects every encounter between the camera, its subject, and its viewer.<\/p>\n<p>&nbsp;<\/p>\n<p>The AFI\u201926 exhibition at Sapieha Palace will be open from June 11 to September 7 in the North Gallery on the first floor. Screenings will take place during the Palace\u2019s opening hours, with three films from the programme shown on a continuous loop, rotating every third week. Admission is free.<\/p>\n<p>&nbsp;<\/p>\n<p>Line-up includes: Razia Akbari, Aqsa Arif, Alessandra Ferrini, Kiyo Guti\u00e9rrez, Marte Hodne Haugen, Malik Irtiza, Tha\u00eds Muniz, Ann Oren, Amaal Said, Mila Turajli\u0107, Video News.<\/p>\n<p>&nbsp;<\/p>\n<p>The program will be showcased globally at the following AFI\u201926 partner venues: argos centre for audiovisual arts, Brussels, Belgium; Center for Contemporary Arts Afghanistan in exile e.V., (CCAA in exile), Frankfurt, Germany; Cultural Center of Belgrade, Belgrade, Serbia; Forma, London, UK; Galleria d\u2019Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy; Los Angeles Contemporary Exhibitions (LACE), Los Angeles, USA; Project 88, Mumbai, India; Tramway, Glasgow, Scotland; Troms\u00f8 Kunstforening,Troms\u00f8, Norway; Video-Forum of Neuer Berliner Kunstverein (n.b.k), Berlin, Germany; with further partners to be announced.<\/p>\n<p>&nbsp;<\/p>\n<p>For programming updates, stay tuned via <a href=\"http:\/\/artistsfilminternational.com\">artistsfilminternational.com<\/a><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-quote-block_6aa4016ab013f {\n          padding-top: 0px;\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-quote-block_6aa4016ab013f {\n              padding-top: 48px;\n                    padding-bottom: 48px;\n          }\n  }\n<\/style>\n\n<div id=\"item-quote-block_6aa4016ab013f\" class=\"item-quote pt-48 pb-48\">\n\n  <div class=\"container container--mob\">\n          <div class=\"t-32 t-dt-48 rich\">\n        <p>Film programme<\/p>\n      <\/div>\n      \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2b54 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2b54 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2b54\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        JUNE 11 \u2013 JULY 6 \/ SEPTEMBER 10 \u2013 13      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><em>ONGOING PROJECT. VIDEO NEWS<\/em>, 2018\u20132020<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2ba1 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2ba1 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2ba1\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news.jpg 1920w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/video-news-1536x864.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>\u201cONGOING PROJECT. VIDEO NEWS\u201d, 2018\u20132020. Series of seventeen video works. Film still.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2bdb {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2bdb {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2bdb\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Sapieha Palace, continuing as an AFI partner for the third consecutive year, has selected <i>Video News<\/i> \u2013 an ongoing project initiated by artist Ieva Kotryna Ski together with Akvil\u0117 Kaba\u0161inskait\u0117. The project connects people in different locations through an evolving video conversation, but without comments or words. From time to time, the videos were combined with almost no editing, preserving the original sequence in which they were shared via WhatsApp. In total, 17 videos were created and later on published on a YouTube channel (@videonews.ongoingproject1933). The 17th video, however, remained unpublished until now. The conversation was active between 2018 and 2020, though <i>Video News<\/i> still occasionally reactivates for special occasions.<\/p>\n<p>&nbsp;<\/p>\n<p><i>Video News<\/i> participants: Ieva Kotryna Ski, Akvil\u0117 Kaba\u0161inskait\u0117, Ign\u0117 Narbutait\u0117, Deniz Inceoglu, Lukas Bra\u0161i\u0161kis, Vilt\u0117 Bra\u017ei\u016bnait\u0117, Mark Prendergast, Cihangir Cakar, Ign\u0117 Smilingyt\u0117, Noriko Satoi, Milda Janu\u0161evi\u010di\u016bt\u0117, Yasemin Szawlowski<\/p>\n<p>&nbsp;<\/p>\n<p>\u201eVideo News\u201c dalyviai ir dalyv\u0117s: Ieva Kotryna Ski, Akvil\u0117 Kaba\u0161inskait\u0117, Ign\u0117 Narbutait\u0117, Deniz Inceoglu, Lukas Bra\u0161i\u0161kis, Vilt\u0117 Bra\u017ei\u016bnait\u0117, Mark Prendergast, Cihangir Cakar, Ign\u0117 Smilingyt\u0117, Noriko Satoi, Milda Janu\u0161evi\u010di\u016bt\u0117, Yasemin Szawlowski.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2c0e {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2c0e {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2c0e\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        AUGUST 19 \u2013 SEPTEMBER 7      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Aqsa Arif, <\/span><i><span style=\"font-weight: 400;\">Raindrops of Rani<\/span><\/i><span style=\"font-weight: 400;\">, 2025<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Duration: 17:34 min.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Selected for AFI&#8217;26 by Tramway, Glasgow, Scotland (<\/span><span style=\"font-weight: 400;\">tramway.org | @glasgowtramway<\/span><span style=\"font-weight: 400;\">)<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2c36 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2c36 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2c36\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1548\" height=\"868\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1.png 1548w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1-300x168.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1-1024x574.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1-768x431.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.29-1-1536x861.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p class=\"p1\">Aqsa Arif,\u00a0<i>Raindrops of Rani<\/i>, 2025. Film Still. Courtesy of the Artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2c6f {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2c6f {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2c6f\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i><span style=\"font-weight: 400;\">Raindrops of Rani<\/span><\/i><span style=\"font-weight: 400;\"> draws on the tragic figure of Heer from the Punjabi love story Heer Ranjha. Arif reimagines her as Heera, a displaced mother navigating life in a Scottish high-rise flat with her young daughter after a flood destroys their home.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Through this hybrid fantasy, Arif stages a layered narrative of a mother and daughter adapting differently and unequally to an environment marked by indifference and hostility. At its core lies the story of Arif\u2019s own arrival in the UK from Pakistan. Her family was initially placed in a high-rise council flat in Prospecthill Circus, on Glasgow\u2019s Southside. Years later, they were moved again by local authorities to facilitate the production of Sony Bravia\u2019s 2006 <\/span><i><span style=\"font-weight: 400;\">Paint<\/span><\/i><span style=\"font-weight: 400;\"> advert, an extravagant campaign requiring 1,500 explosive charges and 70,000 litres of paint. Directed by Jonathan Glazer with a reported budget of \u00a32 million, the advert became an iconic spectacle. Meanwhile, the mostly working-class residents, refugees and asylum seekers, were displaced and rehoused in other Glasgow high-rises.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">Raindrops of Rani<\/span><\/i><span style=\"font-weight: 400;\">, reflects on the stark contrast between this global spectacle and the overlooked realities of the community it disrupted.<\/span><\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2ca4 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2ca4 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2ca4\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Mila Turajli\u0107, <\/span><i><span style=\"font-weight: 400;\">Non-Aligned Newsreels: Voices from the Debris [Algiers sessions]<\/span><\/i><span style=\"font-weight: 400;\">, 2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Duration: 20 min.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Selected for AFI&#8217;26 by Kulturni centar Beograda (Cultural Centre of Belgrade), Serbia (kcb.org.rs | @kulturni_centar_beograda)<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2cc9 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2cc9 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2cc9\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1818\" height=\"1018\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1.png 1818w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1-300x168.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1-1024x573.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1-768x430.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.47.47-1-1536x860.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p class=\"p1\">Mila Turajli\u0107,\u00a0<i>Non-Aligned Newsreels: Voices from the Debris [Algiers sessions]<\/i>, 2026. \u00a9 the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2cf5 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2cf5 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2cf5\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><span style=\"font-weight: 400;\">Mila Turajli\u0107 spent years exploring the filmed archives of the Yugoslav Newsreels, working with Stevan Labudovi\u0107, Yugoslav President Tito\u2019s cameraman, who filmed Tito&#8217;s travels in Africa and Asia during the tumultuous time of the birth of the Non-Aligned Movement. Turajli\u0107 invites the audience to immerse themselves in these long-forgotten and previously unseen images, examining the role they played in an epic visual battle through which cinema gave a voice to a decolonising world.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">On stage, Mila Turajli\u0107 engages in live video editing (VJing), creating real-time montages from these images. As she layers these resurfaced images with oral histories, sound recordings, and personal archives, she takes on the challenge of giving a voice to these political projects. The live excavation opens up a space where, together with the audience, they explore the poetry of fragments.<\/span><\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2d31 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2d31 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2d31\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Tha\u00eds Muniz, <\/span><i><span style=\"font-weight: 400;\">The Kite Ballet<\/span><\/i><span style=\"font-weight: 400;\">, 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Duration: 11:51 min.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Selected for AFI\u201926 by Crawford Art Gallery, Cork, Ireland (<\/span><span style=\"font-weight: 400;\">crawfordartgallery.ie | @crawfordartgallery<\/span><span style=\"font-weight: 400;\">)<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2d58 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2d58 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2d58\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1664\" height=\"942\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1.png 1664w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1-300x170.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1-1024x580.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1-768x435.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-14-at-10.48.06-1-1536x870.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p class=\"p1\">Thais Muniz,\u00a0<i>The Kite Ballet,<\/i>\u00a02024. Film still. \u00a9 and courtesy the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2d89 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2d89 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2d89\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i><span style=\"font-weight: 400;\">The Kite Ballet <\/span><\/i><span style=\"font-weight: 400;\">by Tha\u00eds Muniz portrays the weekly ritual of kite runners among the Abaet\u00e9 dunes, sunsets, and prevailing light winds in the Itapu\u00e3 area of Salvador, Brazil. The community skilfully operates its dancing kites, creating an important physical and symbolic place for Afro-Indigenous memories and ancestral territory, where lived spiritual practices have existed for centuries.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Highlighting the threat of development to Afro-Indigenous territory in Brazil, Muniz\u2019s film advocates for play in adulthood and negotiations with nature as essential, revolutionary acts of resistance. Through the film, she seeks to show how the community activates the territory while amplifying the voices of local activists..<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Tha\u00eds Muniz\u2019s practice spans multiple mediums to critically engage with the geopolitics of place while investigating the intersections between inherited and acquired identities, memory, transit, and interior love as a methodology for radical care. In <\/span><i><span style=\"font-weight: 400;\">The Kite Ballet<\/span><\/i><span style=\"font-weight: 400;\">, these themes intertwine with ideas of degrowth, which, as decolonial and Indigenous perspectives, challenge growth-driven exploitation and propose alternative ways of living in harmony with nature.<\/span><\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2db1 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2db1 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2db1\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        JULY 29 \u2013 AUGUST 17      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><b>Kiyo Guti\u00e9rrez, <\/b><b><i>nepantlera<\/i><\/b><b>, 2025<\/b><\/p>\n<p>Duration: 13:14 mins.<\/p>\n<p>Selected for AFI\u201926 by LACE, Los Angeles, US (welcometolace.org | @welcometolace)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2dd0 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2dd0 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2dd0\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1453\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1.jpg 2000w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1-300x218.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1-1024x744.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1-768x558.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Kiyo-Gutierrez-nepantlera-2025.-Film-Still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-LACELos-AngelesUSA.-5-1-1-1536x1116.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Kiyo Guti\u00e9rrez, <i>nepantlera<\/i>, 2025. Film Still. \u00a9 and courtesy the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2dfe {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2dfe {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2dfe\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i>nepantlera<\/i> is an experimental video that documents a series of ritual-performances activated in specific locations along the bodies of water that delineate the border between M\u00e9xico and the United States, that is the Gulf of M\u00e9xico, the Rio Bravo\/Grande River, the Colorado River, the Gila River, The Tijuana River and the Pacific Ocean. La nepantlera, a being\/force\/goddess\/extinct creature embarks on a mythical journey to communicate with the waters that she gave birth to in ancient times. But she soon finds out that the rivers have been raped, and their waters have been partitioned by ambitious unsatiable men. Throughout la nepantlera\u2019s pilgrimage, which begins at the mouth of the Rio Bravo\/Grande River in Brownsville, Texas, and concludes at the Pacific Ocean in Tijuana, M\u00e9xico, the Treaty of Guadalupe Hidalgo, the historical document that turned these waters into borders, is transgressed, transformed, and consumed through gestures such as marking, sound-making, ripping, chewing, salivating, and soaking. These gestures, involving natural dye, voice, rattle sounds, saliva, ocean and river water, touch, alter, and erode the treaty\u2019s imperialist pages, challenging its authority and reimagining its significance. This project was crafted out of a deep concern for the land and human violence that occurs daily in the border, while also considering this space as a complex multilayered watery place where resistance, reciprocity, memory, stories and new possibilities arise.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2e1e {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2e1e {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2e1e\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><b>Amaal Said, <\/b><b><i>Open Country<\/i><\/b><b>, 2025<\/b><\/p>\n<p>Duration: 13:10 mins.<\/p>\n<p>Selected for AFI\u201926 by Forma, London and Focal Point Gallery, Southend-on-Sea, UK (forma.org.uk | @formaartsmedia; fpg.org.uk | @focalpointgallery)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2e4a {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2e4a {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2e4a\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1690\" height=\"950\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1.png 1690w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1-300x169.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1-1024x576.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1-768x432.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.30.37-1-1536x863.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Amaal Said, <i>Open Country<\/i>, 2025. Film still. Commissioned for The Open Road by Film and Video Umbrella, Forma and Three Rivers. Supported using public funding by Arts Council England. Courtesy of the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2e7e {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2e7e {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2e7e\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i>Open Country<\/i> explores visibility, belonging, and the politics of movement within the contemporary British landscape. Following a Somali mother and daughter travelling from London into the Kent countryside, the film reflects on how histories of migration, race, and national identity continue to shape who is permitted to occupy and move through particular spaces, and under what conditions they are seen. The landscape emerges not as neutral terrain, but as a site shaped by inherited cultural imaginaries, where inclusion and exclusion remain deeply embedded.<\/p>\n<p>&nbsp;<\/p>\n<p>As the daughter records an audio cassette diary for her grandmother in Somalia, the film unfolds through gestures of conversation, observation, and reflection. The cassette becomes both testimony and connective thread: a means of speaking across distance, generations, and geographies. Through this layered act of address, <i>Open Country<\/i> foregrounds the emotional and political dimensions of diasporic life, navigating tensions between familiarity and estrangement, presence and longing.<\/p>\n<p>&nbsp;<\/p>\n<p>Adopting a restrained and attentive visual language grounded in care and lived experience, Said resists spectacle or fixed narratives of identity. Instead, the film lingers within moments of stillness and attention, proposing visibility as something fragile, relational, and self-determined \u2014 shaped as much by the right to appear as by the freedom to move, belong, and remain partially unseen.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2e9f {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2e9f {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2e9f\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><b>Alessandra Ferrini, <\/b><b><i>Sight Unseen<\/i><\/b><b>, 2019<\/b><\/p>\n<p>Duration: 18:54 mins<\/p>\n<p>Selected for AFI\u201926 by Galleria d\u2019Arte Moderna e Contemporanea di Bergamo, Italy (gamec.it | @gamec_bergamo)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2ebd {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2ebd {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2ebd\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1648\" height=\"922\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1.png 1648w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1-300x168.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1-1024x573.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1-768x430.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Screenshot-2026-08-10-at-14.32.54-1-1536x859.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Alessandra Ferrini, <i>Sight Unseen<\/i>, 2019. Film Still. \u00a9 and Courtesy the artist and\u00a0 Galleria d&#8217;Arte Moderna e Contemporanea di Bergamo.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2ee6 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2ee6 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2ee6\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Omar al-Mukhtar (1885-1931) was the leader of the resistance against the Italian occupation of Libya. He became the symbol of the Libyan people\u2019s resilience and his legacy was exploited by the Gaddafi regime. Sight Unseen explores the concealment and appropriation of the memory and documentation of Mukhtar\u2019s final days: his capture, trial and spectacularised state killing. Based on visual and material culture that has been subject to either manipulation or obfuscation in Italy, the film focuses on the most complete series of images of Mukhtar&#8217;s capture and execution, which at the time of filming was legally unpublishable. The voice and hands of historian Alessandro Volterra show and describe these images to the camera, although these are never fully revealed: barely discernible, they are faded to black, blurred, shown for just an instant. Conveying the concealment and marginalisation of these images (and their legal ban), the film interweaves other documents and artefacts attesting to the carefully orchestrated politics of visibility and invisibility that shape the memory of colonial violence in Italy: Mukhtar\u2019s contested glasses; the movie Lion of the Desert; extracts from Mukhtar&#8217;s trial; and Monumento al Carabiniere, a 1933 memorial to the Italian armed forces in Turin.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2f0d {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2f0d {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2f0d\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        JULY 8 \u2013 27      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Ann Oren, <i>Zoologische Gesellschaft<\/i>, 2021<\/p>\n<p>Duration: 10:00 mins<\/p>\n<p>Selected for AFI\u201926 by Neuer Berliner Kunstverein (n.b.k.), Germany (nbk.org | @neuerberlinerkunstverein)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2f27 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2f27 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2f27\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1125\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1.jpg 2000w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Ann-Oren-Zoologische-Gesellschaft-2021.-Film-still.-\u00a9-and-courtesy-the-artist-and-n.b.k.-Selected-for-AFI26-by-n.b.k.-Germany-1-1536x864.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Ann Oren, <i>Zoologische Gesellschaft<\/i>, 2021. Film still. Courtesy and \u00a9 the artist and n.b.k.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2f46 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2f46 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2f46\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Weaving audio-visual recordings of zoo-animals into a fine web comprising of actions and reactions, this video finally spirals into a collective animalistic concert. Relating the different animals to each other through audio-visual montage creates fictional relations amongst the animals; a society of animals. Zoologische Gesellschaft (Zoological society) thus comments on human communities, who created zoos as mirror images. There is an otherness there, and at the same time a disturbing proximity, which we\u2019d like to dismiss.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2f61 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2f61 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2f61\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Malik Irtiza, <i>Thokei<\/i>, 2024<\/p>\n<p>Duration: 04:46 mins.<\/p>\n<p>Selected for AFI&#8217;26 by Project 88, Mumbai, India (project88.in | @project88mumbai)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2f7a {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2f7a {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2f7a\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1131\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1.png 2000w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1-300x170.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1-1024x579.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1-768x434.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Malik-Irtiza-Thokei-2024.-Film-still.-\u00a9-and-courtesy-the-artist.-Selected-for-AFI26-by-Project-88-Mumbai-India-1-1536x869.png 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Malik Irtiza, <i>Thokei<\/i>, 2024. Film Still. Courtesy of Iritza Malik and Project 88.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab2fab {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab2fab {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab2fab\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Malik Irtiza\u2019s Thokei follows a figure from her childhood stories and recurring one in her artistic work; Shokpaseen is a shadowy non-being, void-like figure. It was once a songbird,but now roams strange places, as a trace of life which refuses to enter the void. Shokpaseen is specifically drawn to slippages between time and space. Thokei (spit) flows across waterscapes and (non-) language, absence and profusion, madness and humour. The sounds in this short film crash onto one another: fishy turmoil, Kashmiri lullabies,clapping hands. It creates strands of non-deterministic but unequivocal solidarity across occupied territories and the pain of bearing witness to those who live and imagine within them, even as it dwells within the oneiric and fantastical. Malik\u2019s work resists easy legibility, finding kinship and alliance in more-than-human, plural, and obfuscated vocabularies.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab2fc8 {\n              padding-bottom: 24px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab2fc8 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab2fc8\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>MARTE HODNE HAUGEN, <i>CONTENT MODERATOR<\/i>, 2022<\/p>\n<p>Duration: 07:59 mins.<\/p>\n<p>Selected for AFI\u201926 by Troms\u00f8 Kunstforening, Norway (tromsokunstforening.no | @tromsokunstforening)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_6aa4016ab2fdf {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_6aa4016ab2fdf {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_6aa4016ab2fdf\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist.jpg 1920w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2026\/06\/Marte-Hodne-Haugen-Content-Moderator-2022.-Film-still.-\u00a9-and-courtesy-the-artist-1536x864.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Marte Hodne Haugen, <i>Content Moderator<\/i>, 2022. Film still. Courtesy and \u00a9 the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_6aa4016ab3001 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_6aa4016ab3001 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_6aa4016ab3001\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i>Content Moderator<\/i> takes inspiration from Marte Hodne Haugen\u2019s previous work as a content moderator, working for one of the world&#8217;s biggest social media platforms. Based on the company\u2019s rules, the moderators decide whether controversial content containing, amongst others, violence, pornography, online bullying, racism or threats of suicide should be deleted or stay up. The job is paid poorly and often done by young people, or those who don\u2019t have many other opportunities in the job market.<\/p>\n<p>&nbsp;<\/p>\n<p>The music video touches on the mental health impacts of consuming such a massive quantity of real violent imagery, in addition to our rights to safety online and to safety in the workplace. Everyone who participated in the video is a former colleague from Haugen\u2019s time working as a moderator.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_6aa4016ab301d {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6aa4016ab301d {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6aa4016ab301d\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n          <h2 class=\"t-20 \n              t-dt-28 pb-24 pb-dt-20\n            upper \">\n        EXHIBITION TEAM      <\/h2>\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Curator: Povilas Gumbis<\/p>\n<p>Graphic design: Jon\u0117 Mi\u0161kinyt\u0117, Forma<\/p>\n<p>Communication: Monika Jagusinskyt\u0117, Maksimilijanas Opri\u0161ka, V\u0117jas Anu\u0161kevi\u010dius<\/p>\n<p>Installation: Jok\u016bbas \u010ci\u017eikas, Antanas Dombrovskij<\/p>\n<p>Translations: Paulius Bal\u010dytis, Veronika Vasiljeva-Niparavi\u010dien\u0117<\/p>\n<p>Copy editing: Dang\u0117 Vitkien\u0117<\/p>\n<p>Executive Director of Sapieha Palace: Gintaut\u0117 \u017demaityt\u0117<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":17393,"template":"","exhibition_category":[],"class_list":["post-17392","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - 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