{"id":14506,"date":"2025-11-11T16:43:06","date_gmt":"2025-11-11T16:43:06","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=exhibition&#038;p=14506"},"modified":"2025-11-18T09:29:36","modified_gmt":"2025-11-18T09:29:36","slug":"artists-film-international-2025-dream-states","status":"publish","type":"exhibition","link":"https:\/\/sapiegurumai.lt\/en\/exhibitions\/artists-film-international-2025-dream-states\/","title":{"rendered":"ARTISTS\u2019 FILM INTERNATIONAL 2025: DREAM STATES"},"content":{"rendered":"\n<style>\n  #item-text-content-block_691493ec19951 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec19951 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec19951\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Artists\u2019s Film International\u00a0was established in 2008 by Whitechapel Gallery in London and since its inception has seen 32 international venues collaborate. It is an alternative, lateral programme that exemplifies non-hierarchical, borderless and collaborative curatorial models. Responding to urgent global topics, the programme cultivates collective practice and cross-cultural dialogue, fosters the exchange of ideas and perspectives, and provides wide reaching visibility for artists.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><i>Dream States <\/i>\u2013 the 18th edition of Artists\u2019 Film International \u2013 commences on 3 March, with programming taking place around the world throughout 2025. At the intersection of personal consciousness and external realities, <i>Dream States<\/i> explores the emancipatory potential of dreams, altered states, and cinematic illusion.<\/p>\n<p>&nbsp;<\/p>\n<p>Curated by Forma with 16 cultural institutions across four continents, AFI\u201925 features a Forma and Lahore Biennale co-commission by Turner Prize nominee Sin Wai Kin, new films by Babu Eshwar Prasad and Anette Gellein, and sees new and returning partnerships with Southwark Park Galleries, Istanbul Modern, T\u00fcrkiye and MCAD Manila, Philippines.<\/p>\n<p>&nbsp;<\/p>\n<p><i>Dream States <\/i>foregrounds artists who disrupt linear time, blur fact and fiction, and navigate the boundaries between memory, myth, and fantasy to reimagine the world anew. Presented across exhibitions, festivals, and screenings, AFI\u201925 guides global audiences through mythic worlds, dystopian landscapes, fractured memories, and speculative possibilities.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Sapieha Palace, continuing as an AFI partner for the second consecutive year, has selected <i>Lullaby\u2019s Fault<\/i> (2025), a video work by <a href=\"https:\/\/www.instagram.com\/mykolas.valantinas\/\" target=\"_blank\" rel=\"noopener\">Mykolas Valantinas<\/a>, as its entry for AFI\u201925. Sapieha Palace will host the Lithuanian premiere of the film on November 27 at 7:00 PM. The evening will also feature a live performance by Antanas Lu\u010di\u016bnas and Virgile Guillaud.<\/p>\n<p>&nbsp;<\/p>\n<p>The AFI\u201925 exhibition at Sapieha Palace will be open from November 28 to 30 in the Event Hall (4th floor). The selected films will be screened continuously during the palace\u2019s opening hours, and admission to the exhibition is free.<\/p>\n<p>&nbsp;<\/p>\n<p>Line-up includes: Anca Benera and Arnold Estefan, Dalia Al Kury, <a href=\"https:\/\/www.instagram.com\/babueshwarprasad\/?hl=en\" target=\"_blank\" rel=\"noopener\">Babu Eshwar Prasad<\/a>, <a href=\"https:\/\/www.instagram.com\/angel_dom_x_x_\/\" target=\"_blank\" rel=\"noopener\">Anette Gellein<\/a>, <a href=\"https:\/\/www.instagram.com\/gigglingsuture\/\" target=\"_blank\" rel=\"noopener\">Isabelle Nouzha<\/a>, <a href=\"https:\/\/www.instagram.com\/sinforvictory\/?hl=en\" target=\"_blank\" rel=\"noopener\">Sin Wai Kin<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The program was already showcased globally at the following AFI\u201925 partner venues: argos centre for audiovisual arts, Brussels, Belgium; Ballroom Marfa, Texas, USA; Center for Contemporary Arts Afghanistan in exile e.V., (CCAA in exile), Frankfurt, Germany; Cultural Center of Belgrade, Belgrade, Serbia; Forma, London, UK; Fundaci\u00f3n Proa, Buenos Aires, Argentina; Galleria d&#8217;Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy; Istanbul Modern, T\u00fcrkiye; Los Angeles Contemporary Exhibitions (LACE), Los Angeles, USA; MCAD Manila, Philippines; MMAG Foundation, Amman, Jordan; Project 88, Mumbai, India; Southwark Park Galleries, London, UK; Tramway, Glasgow, Scotland; Troms\u00f8 Kunstforening,Troms\u00f8, Norway; Video-Forum of Neuer Berliner Kunstverein (n.b.k), Berlin, Germany;.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>For programming updates, stay tuned via <a href=\"http:\/\/artistsfilminternational.com\" target=\"_blank\" rel=\"noopener\">artistsfilminternational.com<\/a><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-quote-block_691493ec1999c {\n          }\n\n  @media (min-width: 1180px) {\n    #item-quote-block_691493ec1999c {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-quote-block_691493ec1999c\" class=\"item-quote pt-48 pb-48\">\n\n  <div class=\"container container--mob\">\n          <div class=\"t-32 t-dt-48 rich\">\n        <p>Films<\/p>\n      <\/div>\n      \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec19a6b {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec19a6b {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec19a6b\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Mykolas Valantinas<\/p>\n<p><i>Lullaby\u2019s Fault<\/i>, 2025<\/p>\n<p>Duration 16:15 mins<\/p>\n<p>Selected by Sapieha Palace, branch of the Contemporary Art Centre (CAC), Vilnius<\/p>\n<p>(<a href=\"https:\/\/sapiegurumai.lt\/\" target=\"_blank\" rel=\"noopener\">sapiegurumai.lt<\/a> | @sapiegurumai)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec23515 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec23515 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec23515\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4.jpg 1920w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Copy-of-4-1536x864.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Mykolas Valantinas, <i>Lullaby\u2019s Fault<\/i>, 2025. Film still. Courtesy and copyright of the artist. Created as part of MA in Photography program at \u00c9cole cantonale d\u2019art de Lausanne (ECAL).<\/p>\n<p>&nbsp;<\/p>\n<p>The film will be shown only during the opening \u2013 on November 27 at 7 p.m.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec284d0 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n      }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec284d0 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec284d0\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i>Lullaby\u2019s Fault<\/i> explores the interior of a fractured and incoherent psyche. Set in rural Lithuania, it follows twin brothers whose vivid imaginations turn innocent play into violence. Rather than depicting violent acts directly, the film shifts its focus to their aftermath. Alternating between past and present, it explores the surreal, fragmented logic of a mind struggling to process trauma and find healing.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec29d3b {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec29d3b {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec29d3b\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Dalia Al Kury<\/p>\n<p><i>Levitations<\/i>, 2024<\/p>\n<p>Duration: 18:45 mins<\/p>\n<p>Selected by mmag foundation, Jordan<\/p>\n<p>(<a href=\"https:\/\/www.mmagfoundation.org\/en\" target=\"_blank\" rel=\"noopener\">mmagfoundation.org<\/a> | @mmagfoundation)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec314cb {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec314cb {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec314cb\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2502\" height=\"1152\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3.png\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3.png 2502w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3-300x138.png 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3-1024x471.png 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3-768x354.png 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3-1536x707.png 1536w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Dalia-Al-Kury-Levitations-2024.-Film-still.-Cinematography-by-Yousef-Hammad.-Funded-by-the-Norwegian-Film-School.-Courtesy-and-\u00a9-Dalia-Al-Kury.-Selected-for-AFI25-by-MMAG-foundation-Jordan-3-2048x943.png 2048w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Dalia Al Kury, <i>Levitations<\/i>, 2024. Film still. Cinematography by Yousef Hammad. Funded by the Norwegian Film School. Courtesy and copyright of the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec34ab2 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec34ab2 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec34ab2\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Two sisters in the diaspora transcend a therapy session and end up traveling in a mysterious and dreamy liberated Palestine. This short film explores the idea of dream states, both literal and metaphorical, probing the intricate layers of freedom within a context marked by ongoing genocide and escalating oppression. It confronts the profound challenges of realizing such dreams in the present moment, yet it also emphasizes the vital importance of maintaining hope \u2013\u00a0of envisioning a future where these dreams, however improbable, might one day become reality.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec36277 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec36277 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec36277\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Babu Eshwar Prasad<\/p>\n<p><i>Dear Chalam<\/i>, 2024<\/p>\n<p>Duration: 15:00 mins<\/p>\n<p>Selected by Project 88, Mumbai, India<\/p>\n<p>(<a href=\"https:\/\/www.project88.in\/\" target=\"_blank\" rel=\"noopener\">project88.in<\/a> | @project88mumbai)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec3e117 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec3e117 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec3e117\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2.jpg 1920w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Babu-Eshwar-Prasad-Dear-Chalam-2024.-Film-Still.-Courtesy-and-\u00a9-the-Artist.-Selected-for-AFI25-by-Project-88-Mumbai-India.-2-1536x864.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Babu Eshwar Prasad, <i>Dear Chalam<\/i>, 2024. Film still. Courtesy and copyright of the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec41691 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec41691 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec41691\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p><i>Dear Chalam<\/i> can be read as a eulogy for a dear friend, a journey through the landscape of cinema, and of making and sharing films. A poetic assemblage, the film dips into Chalam Bennurkar\u2019s powerful documentary practice, his involvement with the Odessa Collective and commitment to cinema as a people\u2019s movement \u2013 all of which come alive as potent strands in a letter that forms the central thread of the film. The film moves beyond a personal remembering of a singular life to think more widely about cinema, and its potentialities in a process of constant recalibration and re-imagination.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec42eda {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec42eda {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec42eda\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Sin Wai Kin<\/p>\n<p><i>The Fortress<\/i>, 2023<\/p>\n<p>Duration: 22:00 mins<\/p>\n<p>Selected by Forma and Southwark Park Galleries, London<\/p>\n<p>(<a href=\"https:\/\/forma.org.uk\/\" target=\"_blank\" rel=\"noopener\">forma.org.uk<\/a> | @formaartsmedia)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec4beaa {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec4beaa {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec4beaa\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-scaled.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-scaled.jpg 2560w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-1536x864.jpg 1536w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/sin-2048x1152.jpg 2048w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Sin Wai Kin, <i>The Fortress<\/i>, 2024. Film still. Courtesy and copyright of the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec51628 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec51628 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec51628\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Sin Wai Kin\u2019s <i>The Fortress<\/i> deconstructs the archetype of \u2018Man\u2019 as a stand-in for humanity, revealing how the construction of the subject of the Enlightenment persists in ideas of personhood today. The film critiques Western-centric knowledge systems, exposing existence as fragmented and plural. By unraveling identity and power, <i>The Fortress<\/i> challenges the notion of a fixed reality and rejects hegemonic narratives of human experience.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec52e36 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec52e36 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec52e36\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Anette Gellein<\/p>\n<p><i>Dyke Dreams<\/i>, 2024<\/p>\n<p>Duration: 7:20 mins<\/p>\n<p>Selected by Troms\u00f8 Kunstforening, Troms\u00f8, Norway<\/p>\n<p>(<a href=\"https:\/\/www.tromsokunstforening.no\/en\" target=\"_blank\" rel=\"noopener\">tromsokunstforening.no<\/a> | @tromsokunstforening)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec5a59c {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec5a59c {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec5a59c\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"1445\" height=\"1080\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anette-Gellein-Dyke-Dreams-2024.-Film-still.-Courtesy-and-\u00a9-the-artist.-Selected-for-AFI\u201825-by-Tromso-Kunstforening-Norway.-7.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anette-Gellein-Dyke-Dreams-2024.-Film-still.-Courtesy-and-\u00a9-the-artist.-Selected-for-AFI\u201825-by-Tromso-Kunstforening-Norway.-7.jpg 1445w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anette-Gellein-Dyke-Dreams-2024.-Film-still.-Courtesy-and-\u00a9-the-artist.-Selected-for-AFI\u201825-by-Tromso-Kunstforening-Norway.-7-300x224.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anette-Gellein-Dyke-Dreams-2024.-Film-still.-Courtesy-and-\u00a9-the-artist.-Selected-for-AFI\u201825-by-Tromso-Kunstforening-Norway.-7-1024x765.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anette-Gellein-Dyke-Dreams-2024.-Film-still.-Courtesy-and-\u00a9-the-artist.-Selected-for-AFI\u201825-by-Tromso-Kunstforening-Norway.-7-768x574.jpg 768w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Anette Gellein, <i>Dyke Dreams<\/i>, 2024. Film still. Courtesy and copyright of the artist.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec5e14c {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec5e14c {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec5e14c\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>An erotic commercial gradually transforms into a horror movie, where the characters claw their way through each other\u2019s bodies. Drawing inspiration from Kenneth Anger\u2019s <i>Kustom Kar Kommandos<\/i> (1965), <i>Dyke Dreams<\/i> can be seen as a tribute to his iconic piece, touching on the Stavanger oil industry, the Americanization of Norwegian culture, and queer loneliness.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec5f9a2 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec5f9a2 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec5f9a2\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Anca Benera and Arnold Estefan<\/p>\n<p><i>Rehearsals for Peace<\/i>, 2023<\/p>\n<p>Duration: 16:26 mins<\/p>\n<p>Selected by Neuer Berliner Kunstverein (n.b.k.), Germany<\/p>\n<p>(<a href=\"https:\/\/www.nbk.org\/de\" target=\"_blank\" rel=\"noopener\">nbk.org<\/a> | @neuerberlinerkunstverein)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec66fe7 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec66fe7 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec66fe7\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1440\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-scaled.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-scaled.jpg 2560w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-300x169.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-1024x576.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-768x432.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-1536x864.jpg 1536w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Anca-Benera-Arnold-Estefan-Rehearsals-for-Peace-Collection-2048x1152.jpg 2048w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Anca Benera and Arnold Estefan, <i>Rehearsals for Peace<\/i>, 2023. Copyright of the artists. Courtesy of the artists, Neuer Berliner Kunstverein (n.b.k.) and Kadist Collection.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec6a633 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec6a633 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec6a633\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>In <i>Rehearsals for Peace<\/i> Benera &amp; Estefan tackle Europe\u2019s re-militarization by drawing on local Transylvania folk traditions for warding off evil spirits.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec6bedc {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec6bedc {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec6bedc\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>Isabelle Nouzha<\/p>\n<p><i>Dystopian Patterns<\/i>, 2019<\/p>\n<p>Duration: 06:43 mins<\/p>\n<p>Selected by argos centre for audiovisual arts, Brussels, Belgium<\/p>\n<p>(<a href=\"https:\/\/visit.argosarts.org\/\" target=\"_blank\" rel=\"noopener\">argosarts.org<\/a> | @argos_arts)<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-asset-block_691493ec736c1 {\n          padding-top: 0px;\n              padding-bottom: 0px;\n    \n  }\n\n  @media (min-width: 1180px) {\n    #item-asset-block_691493ec736c1 {\n              padding-top: 0px;\n                    padding-bottom: 0px;\n          }\n  }\n<\/style>\n\n<div id=\"item-asset-block_691493ec736c1\" class=\"item-asset pt-48 pb-48\">\n  <div class=\"container container--mob item-asset__inner\">\n\n    \n<div class=\"asset item-asset__asset w-100\">\n\n  \n    <img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"858\" src=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium.jpg\" class=\"asset__image\" alt=\"\" sizes=\"auto, (min-width: 1180px) 80vw, 95vw\" srcset=\"https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium.jpg 2048w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium-300x126.jpg 300w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium-1024x429.jpg 1024w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium-768x322.jpg 768w, https:\/\/sapiegurumai.lt\/wp-content\/uploads\/2025\/11\/Isabelle-Nouzha-Dystopian-Patterns-2019.-Film-still.-\u00a9-the-artist.-Courtesy-the-artist-and-argos-centre-for-audiovisual-arts.-Selected-for-AFI25-by-argos-centre-for-audiovisual-arts-Brussels-Belgium-1536x644.jpg 1536w\" \/>\n    \n\n\n  \n  \n<\/div>\n\n          <div class=\"t-14 t-dt-16 rich\">\n        <p>Isabelle Nouzha, <i>Dystopian Patterns<\/i>, 2019. Film still. Copyright of the artist. Courtesy of the artist and argos centre for audiovisual arts.<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n\n\n\n<style>\n  #item-accordion-block_691493ec76bd1 {\n          padding-top: 0px;\n          }\n\n  @media (min-width: 1180px) {\n    #item-accordion-block_691493ec76bd1 {\n              padding-top: 0px;\n                }\n  }\n<\/style>\n\n<div id=\"item-accordion-block_691493ec76bd1\" class=\"item-accordion pt-48 pb-48\">\n  <div class=\"item-accordion__inner container container--mob\">\n\n    \n    \n    \n      <acc-ordion>\n\n        <ul class=\"unstyled-list item-accordion__list acc\">\n                      \n            <li class=\"item-accordion__item pb-30 pb-dt-20\" data-item>\n\n                              <button aria-controls=\"content-1\" \n                        aria-expanded=\"false\" \n                        data-button \n                        id=\"accordion-control-1\" \n                        class=\"unstyled-button acc__button item-accordion__item-button pt-24 pb-15 t-22\">\n              \n\n                <span class=\"acc-item-title upper\">About the film<\/span>\n\n                                  <span class=\"acc-item-icon btn\" data-icon>\n                    +\n                  <\/span>\n                \n                              <\/button>\n              \n                              <div class=\"acc__item-content item-accordion__item-content min-height\" \n                    aria-hidden=\"true\" \n                    id=\"content-1\">\n                  <div class=\"acc__item-inner t-20 rich\" data-inner>\n                    <div>\n                      <p>Something happened to that city. It could be Beirut after one of its many disasters, tried and tested by external forces, but it could be any other city, void of human presence.<\/p>\n                    <\/div>\n                  <\/div>\n                <\/div>\n                                \n\n            <\/li>\n\n                  <\/ul>\n\n      <\/acc-ordion>\n    \n  <\/div>\n<\/div>\n\n\n\n<style>\n  #item-text-content-block_691493ec76c2c {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_691493ec76c2c {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_691493ec76c2c\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Curator: Povilas Gumbis<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Graphic design: Jon\u0117 Mi\u0161kinyt\u0117, Forma<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Communication: Giedr\u0117 Ivanova, Karolina Augevi\u010di\u016bt\u0117, V\u0117jas Anu\u0161kevi\u010dius<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Installation: Jok\u016bbas \u010ci\u017eikas, Antanas Dombrovskij<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Translations: Povilas Gumbis<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Copy editing: Dang\u0117 Vitkien\u0117<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Executive Director of Sapieha Palace: Gintaut\u0117 \u017demaityt\u0117<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sponsor: hotel \u201cCorner\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Patron of CAC and Sapieha Palace: \u201creefo\u201d<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":14744,"template":"","exhibition_category":[],"class_list":["post-14506","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - 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