{"id":9667,"date":"2025-03-21T09:21:52","date_gmt":"2025-03-21T09:21:52","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=event&#038;p=9667"},"modified":"2025-03-21T09:30:26","modified_gmt":"2025-03-21T09:30:26","slug":"sutartines-archaic-minimalism","status":"publish","type":"event","link":"https:\/\/sapiegurumai.lt\/en\/events\/sutartines-archaic-minimalism\/","title":{"rendered":"Sutartin\u0117s: Archaic Minimalism"},"content":{"rendered":"\n<style>\n  #item-text-content-block_67dd2fb070926 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_67dd2fb070926 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_67dd2fb070926\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Many features of modern music today are repetitions of the oldest archetypal structures. Pre-war 20th-century modernist composers saw connections between sutartin\u0117s (a form of Lithuanian polyphonic singing based on seconds) and contemporary European music, predicting that sutartin\u0117s would become the foundation of future Lithuanian music. Their dissonances &#8220;were centuries ahead of European music modernists&#8221; (Kazimieras Viktoras Banaitis), as if they &#8220;anticipated the atonal artistic movement of the 20th century&#8221; (Edwin Geist). Thus, the era itself seems less important\u2014the same meanings resurface, taking on different or similar significance.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Today, sound and visual arts are increasingly intertwined, as if absorbing each other&#8217;s essential elements: music embraces the space of visual art (graphic notation, filling musical space with microtones, etc.), while fine art incorporates time (optical and kinetic art). This connection between the worlds of sound and vision may be considered very old, linked to the original syncretism of art, to an all-encompassing worldview and perception, and to the cyclical concept of time characteristic of many ancient cultures. These ideas may have led to certain shared creative principles. For example, the raster principle (an image composed of small identical elements\u2014dots), common in traditional textile ornaments, is similar to the works of optical art creators. Looking at an artwork, much like traditional woven fabrics, the viewer gradually immerses into an infinite three-dimensional space, almost dissolving within it. The same can be said of sutartin\u0117s and skudu\u010diai (a type of Lithuanian panpipe) polyphonic music\u2014through the constant repetition of short structures and the shimmering, rippling effect of individual sounds (akin to dots or spots in visual art), the listener is drawn into an infinite temporal space, immersed in a boundless soundscape, where unique musical perception visions and illusions emerge. With prolonged listening to skudu\u010diai compositions, the rhythm patterns of individual parts begin to disappear\u2014they seem to &#8220;dissolve,&#8221; merging into a single whole, a kind of &#8220;resonating space.&#8221; This creates an illusion of continuous motion and flickering, similar to the aesthetics of optical art. The geometric patterns of Lithuanian textiles can be seen as an indirect &#8220;visualization&#8221; of this music.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">It is no surprise that listeners of sutartin\u0117s and other forms of archaic polyphony experience relaxation, entering a kind of &#8220;trance&#8221; state. This is partly due to the steady rhythmic pulsation. It is well known that repetitive rhythmic and melodic structures have a hypnotic effect. The constantly recurring refrains\u2014sadauto, gedula, titity tatato, t\u016bto, sad\u016bto\u2014also play a crucial role.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Although the sutartin\u0117s singing group &#8220;Trys Keturiose&#8221; has participated in many interdisciplinary projects combining different music styles and visual arts (Waft, Ancestors, Sutartin\u0117s Party, E-Sutartin\u0117s, Ras\u0173 Ratas, Mugham and Sutartin\u0117s: Dialogues, etc.), today, you will hear purely a cappella singing\u2014without any &#8220;additions.&#8221; This singing is a repetition, a re-actualization of &#8220;that time.&#8221; Repetition allows one to perceive the creative act both as the preservation of something and as a pursuit of something new. For the group&#8217;s members, who seek to understand the language of archaic tradition of chanting, it is particularly important to concentrate, to immerse themselves in the chanting itself, to create a common &#8220;vibe&#8221;, a special musical and spiritual harmony. Each time the singing is different, depending on the environment, the audience and many other objective and subjective things. The same sutartin\u0117s come back after a while with a completely different experience and perception.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the singing of the sutartin\u0117s &#8211; in their creation in the here and now &#8211; one singer alone means nothing. A sutartin\u0117 is born only through the common agreement of all the singers. The experience of the &#8220;creation&#8221; of the sutartin\u0117s in the here and now is crucial &#8211; the consensus may or may not happen. Hence, the convention itself may or may not be &#8220;born&#8221; (created) during the singing.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Daina Norvai\u0161yt\u0117 (voice, skudu\u010diai &#8216;Pan-flutes&#8217;), Egl\u0117 Serei\u010diikien\u0117 (voice, skudu\u010diai &#8216;Pan-flutes&#8217;), Rima Visackien\u0117 (voice, skudu\u010diai &#8216;Pan-flutes&#8217;, lumzdeliai &#8216;a longitudinal flutes&#8217;), Audron\u0117 \u017dilinskien\u0117 (voice, skudu\u010diai &#8216;Pan-flutes&#8217;). Leader &#8211; Daiva Vy\u010dinien\u0117 (voice, skudu\u010diai &#8216;Pan-flutes&#8217;, lumzdeliai &#8216;a longitudinal flutes&#8217;).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Sutartin\u0117s of various genres: sung, danced, played on skudu\u010diai\u00a0 &#8216;Pan-flutes&#8217;, on lumzdeliai &#8216;a longitudinal flutes&#8217;, as well as polyphonic music related to sutartin\u0117s.<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":9657,"template":"","event_category":[],"class_list":["post-9667","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sapiegurumai.lt\/en\/events\/sutartines-archaic-minimalism\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Sapieg\u0173 r\u016bmai -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Sutartin\u0117s: Archaic Minimalism - 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