{"id":16151,"date":"2026-02-17T07:07:03","date_gmt":"2026-02-17T07:07:03","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=event&#038;p=16151"},"modified":"2026-02-17T07:07:37","modified_gmt":"2026-02-17T07:07:37","slug":"gausme","status":"publish","type":"event","link":"https:\/\/sapiegurumai.lt\/en\/events\/gausme\/","title":{"rendered":"GAUSME"},"content":{"rendered":"\n<style>\n  #item-text-content-block_699413b84d6a0 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_699413b84d6a0 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_699413b84d6a0\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">\u2018Gausme\u2019 is inspired by the unique textural layers of the soundscape in the centre-eastern part of Vilnius. The sounds produced by people here act in harmony with a biophonic sonority that is constantly active, but can only be heard if you listen carefully to it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">To me, \u2018I hear what I can&#8217;t see\u2019 are birds, crickets, grasshoppers and other fauna hidden in the grasses and trees, as well as the city&#8217;s hum, the sound of car horns on the horizon, the clatter of the construction site, and other anthropophonic sounds. It is an invisible sonority that lies within the acoustic horizon. Listening to it creates a very interesting sensation \u2013 the perception of sound as a mass, as a trace element hovering like air. It has its own logic, but at the same time it is constantly changing. This score works in the same way \u2013 it has a clear structure of who does what and when, yet <\/span><i><span style=\"font-weight: 400;\">how <\/span><\/i><span style=\"font-weight: 400;\">they do it is always a little bit different.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The words \u2018I see what I can&#8217;t hear\u2019 came about before I even thought of the piece itself, while I was recording a windy, howling morning city on the hill of Beke\u0161as. At one point I stiffened, looking at a few yellowish, flabby, winter-surviving tufts of grass and agrostis. I realised that I could see how intensely they were moving in the wind, but I couldn&#8217;t hear them. I have a similar sensation when I watch the slow flow of a river. Even on a quiet morning or evening \u2013 a huge amount of water just rushes by without a sound. Meanwhile, all the sounds of the city merge into one drone, and you are in it.<\/span><\/p>\n<p style=\"text-align: right;\"><i><span style=\"font-weight: 400;\">Dominykas Digimas<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">ABOUT THE COMPOSER<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Dominykas Digimas is a contemporary composer whose work is characterised by an ascetic, concentrated soundscape, subtle melancholy, and deep introspection. His music often explores inner states of consciousness and the relationship between silence and sound, inviting attentive listening and reflection. Digimas\u2019s compositions are marked by sensitive dynamics, a slow flow of time, and carefully considered structures.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In 2025, the composer\u2019s practice took a significant turn, moving away from music performed on traditional instruments towards new sonic territory. Homemade instruments, constructed by Digimas himself, play a central role in this shift. On the album <\/span><i><span style=\"font-weight: 400;\">GAUSME<\/span><\/i><span style=\"font-weight: 400;\">, recorded in collaboration with members of the ensembles Twenty Fingers Duo and Fleit\u0173 3, the composer expands the concept of sound itself by bringing together composition, instrument-making, and performativity into a coherent new artistic experience.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The album features the compositions <\/span><i><span style=\"font-weight: 400;\">Gird\u017eiu tai ko nematau<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">I Hear What I Don\u2019t See<\/span><\/i><span style=\"font-weight: 400;\">) and <\/span><i><span style=\"font-weight: 400;\">Matau tai ko negird\u017eiu<\/span><\/i><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">I See What I Don\u2019t Hear<\/span><\/i><span style=\"font-weight: 400;\">), and is released on vinyl by the Music Information Centre Lithuania.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">ABOUT THE PERFORMERS<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The work is performed on homemade string, wind, and percussion instruments by:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Twenty Fingers Duo<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Arnas Kmieliauskas<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Lora Kmieliauskait\u0117<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Fleit\u0173 3<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">M\u0117ta Gabriel\u0117 Pelegrimait\u0117-Kaupin\u0117<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Salom\u0117ja Kalvelyt\u0117<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Kristupas Gikas<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dominykas Digimas<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">THE TEAM<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Produced by Tarp tylos<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Co-produced by Music Information Centre Lithuania<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Curated and coordinated by Arnas Kmieliauskas<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Partners: Sapieha Palace, Lithuanian Composers\u2019 Union<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Media partners: LRT Klasika, Radio Vilnius<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Funded by the Lithuanian Council for Culture and LATGA<\/span><\/p>\n<p>&nbsp;<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":16152,"template":"","event_category":[],"class_list":["post-16151","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - 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