{"id":14100,"date":"2025-10-20T21:43:13","date_gmt":"2025-10-20T21:43:13","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=event&#038;p=14100"},"modified":"2025-10-20T21:43:38","modified_gmt":"2025-10-20T21:43:38","slug":"horace-of-lithuanian-baroque-the-poetry-of-sarbievius-and-the-music-of-his-era","status":"publish","type":"event","link":"https:\/\/sapiegurumai.lt\/en\/events\/horace-of-lithuanian-baroque-the-poetry-of-sarbievius-and-the-music-of-his-era\/","title":{"rendered":"HORACE OF LITHUANIAN BAROQUE: THE POETRY OF SARBIEVIUS AND THE MUSIC OF HIS ERA"},"content":{"rendered":"\n<style>\n  #item-text-content-block_68f6ad096a857 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_68f6ad096a857 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_68f6ad096a857\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p>The Seimas of the Republic of Lithuania has declared 2025 the year of Matthias Casimirus Sarbievius (1595\u20131640) and Baroque literature. Exactly four hundred years ago, in 1625, Matthias Casimirus Sarbievius, a Jesuit-educated Lithuanian and one of the most renowned Latin-writing poets of the Baroque era, published a collection of poems titled <i>Three Books of Lyric<\/i> <i>Poems<\/i>, which made his name famous throughout seventeenth-century Europe. The collection was reprinted around sixty times in various European countries, and many of the poems have been translated into different languages. The poet was known as the \u2018Christian Horace\u2019, or, in the Grand Duchy of Lithuania, the \u2018Lithuanian Horace\u2019.<\/p>\n<p>&nbsp;<\/p>\n<p>To mark the year of Sarbievius, Canto Fiorito presents a new concert programme combining readings of Sarbievius\u2019s poetry with Italian Baroque music from his time, which explored similar themes to his works. The choice of Italian music is far from coincidental, as it was during his studies in Rome that Sarbievius matured as an artist. Italian culture \u2013 its ancient architecture, sculpture, visual art, and literature \u2013 had a profound influence on his creative development. It was also in Italy that he prepared the aforementioned poetry collection.<\/p>\n<p>&nbsp;<\/p>\n<p>In early seventeenth-century Italy, poetry was considered the foundation of all art, while music was regarded as the \u2018servant of poetry\u2019, a means to convey and intensify the meanings and emotions encoded in the text. This elevation of poetry within music, together with the revival of ancient Greek drama, led Italy toward the birth of the new Baroque style. The early Italian Baroque music featured in the programme places Sarbievius\u2019s literary legacy within a broader historical and artistic context.<\/p>\n<p>&nbsp;<\/p>\n<p>In his poetry, Sarbievius follows the example of Horace, yet he often intertwines ancient Greek motifs with biblical themes, transforming earthly love into a longing for divine love. His works abound with references to the Song of Songs that develop into a sensuous, sacred lyricism in which God appears as the beloved \u2013 desired and awaited. This tendency also resonates with the sacred music of the Italian Baroque. Alongside faith, Sarbievius\u2019s poetry explores philosophical themes, often imbued with a sense of the transience of earthly life and the Baroque <i>memento<\/i> <i>mori<\/i> (\u2018remember you must die\u2019) motif, which is likewise reflected in the music of the same era.<\/p>\n<p>&nbsp;<\/p>\n<p>The concert features compositions by Claudio Monteverdi, Francesco Cavalli, Johannes Hieronymus Kapsberger, Giacomo Carissimi, Chiara Margarita Cozzolani, Stefano Landi, and Dario Castello.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>About the Ensemble<\/p>\n<p>&nbsp;<\/p>\n<p>The artistic director of the ensemble, Rodrigo Calveyra, was born in Brazil. He studied recorder with Conrad Steinmann at the Schola Cantorum Basiliensis, while also specialising in medieval music with Pedro Memelsdorff at the Civica Scuola di Musica in Milan. He later completed studies in cornetto performance at the Trossingen University of Music. Calveyra is a permanent member of the renowned early music ensemble Cappella Mediterranea and serves as assistant to its conductor, Leonardo Garc\u00eda Alarc\u00f3n. Each year, he performs in up to one hundred concerts and Baroque opera productions throughout Europe, as well as in North and South America. As a soloist, Calveyra has performed with and conducted orchestras in Brazil, Switzerland, Italy, Argentina, and Lithuania. He was also the artistic director of Instrumentarium, an ensemble he founded in Brazil, with which he performed over 150 concerts in South America and Europe, alongside such artists as Maria Cristina Kiehr and Manfredo Kraemer. He has featured in numerous records for labels such as Harmonia Mundi France, Deutsche Harmonia Mundi, Ambronay \u00c9ditions, Ricercar, Calliope, and France Musique, among others. Calveyra teaches cornetto, recorder, and improvisation\/diminution at the Pozna\u0144 Academy of Music.<\/p>\n<p>&nbsp;<\/p>\n<p>Renata Dubinskait\u0117, mezzo-soprano, is the principal soloist and producer of Canto Fiorito, and producer of the Kretinga Early Music Festival. She also develops and performs concert programmes with the ensembles Duo Barocco and Lux Maris. She studied art history and theory at the Vilnius Academy of Arts, where she obtained a PhD in art history, and later earned her bachelor\u2019s and master\u2019s degrees in solo singing under Prof. Vladimiras Prudnikovas at the Lithuanian Academy of Music and Theatre and the Vytautas Magnus University Music Academy.<\/p>\n<p>&nbsp;<\/p>\n<p>Miguel Rinc\u00f3n was born in Seville. He studied classical guitar and lute at the Seville Conservatory and earned two master\u2019s degrees, one in Barcelona and another in Zurich, both with the highest distinction. A versatile musician, he has also performed on guitar in hundreds of concerts with contemporary music groups in flamenco, jazz, rock, and pop styles.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Programme:<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius (1595\u20131640)<\/p>\n<p>\u2018Teateina mano Mylimasis \u012f savo sod\u0105\u2019 (Gg 5, 1)<\/p>\n<p>\u2018Trauk mane paskui save: b\u0117gsime\u2019 (Gg i, 3)<\/p>\n<p>&nbsp;<\/p>\n<p>Claudio Monteverdi (1567\u20131643)<\/p>\n<p>\u2018Pulchra es amica mea\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018Jo galva \u2013 geriausiasis auksas\u2019 (Gg 5, 11),<\/p>\n<p>\u2018Jo rankos\u00a0 \u2013 auksiniai lankai\u2019 (Gg 5,14)<\/p>\n<p>\u2018Prane\u0161kite jam, kad silpstu i\u0161 meil\u0117s\u2019 (Gg 5,8)<\/p>\n<p>&nbsp;<\/p>\n<p>Francesco Cavalli (1602\u20131676)<\/p>\n<p>\u2018O bone Jesu, o Jesu amabilis\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018K\u016bdik\u0117lio J\u0117zaus ir Mergel\u0117s Marijos pasikalb\u0117jimas\u2019<\/p>\n<p>\u2018I\u0161kilmi\u0173 giesm\u0117\u2019 from \u2018Giesmi\u0173 giesm\u0117\u2019 chapters 1, 4, 5, 6, and 7<\/p>\n<p>&nbsp;<\/p>\n<p>Johannes Hieronymus Kapsberger (1580\u20131651)<\/p>\n<p>\u2018Toccata\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018Geriausiam Galingiausiam J\u0117zui\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Giacomo Carissimi (1605\u20131674)<\/p>\n<p>\u2018Domine, Deus Meus\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018Tavo kr\u016btys yra puikesn\u0117s\u2019 (Gg 1, 1)<\/p>\n<p>\u2018Tebu\u010diuoja mane savo burnos pabu\u010diavimu\u2019 (Gg 1, 1)<\/p>\n<p>&nbsp;<\/p>\n<p>Chiara Margarita Cozzolani (1602\u20131676\/1678)<\/p>\n<p>\u2018O quam bonus es\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018\u017diogui\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Stefano Landi (1587\u20131639)<\/p>\n<p>\u2018Passacaglia della vita\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018Albertui Turscijui. Apie savo sapnus ir eil\u0117ra\u0161\u010dius\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Dario Castello (1602\u20131631)<\/p>\n<p>\u2018Sonata seconda\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Matthias Casimirus Sarbievius<\/p>\n<p>\u2018V\u0117jui\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Claudio Monteverdi<\/p>\n<p>\u2018Zefiro torna\u2019<\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":14102,"template":"","event_category":[],"class_list":["post-14100","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sapiegurumai.lt\/en\/events\/horace-of-lithuanian-baroque-the-poetry-of-sarbievius-and-the-music-of-his-era\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Sapieg\u0173 r\u016bmai -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"HORACE OF LITHUANIAN BAROQUE: THE POETRY OF SARBIEVIUS AND THE MUSIC OF HIS ERA - 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