{"id":12998,"date":"2025-08-27T11:08:45","date_gmt":"2025-08-27T11:08:45","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=event&#038;p=12998"},"modified":"2025-09-04T08:59:14","modified_gmt":"2025-09-04T08:59:14","slug":"moving-images-at-sapieha-palace-ana-vaz","status":"publish","type":"event","link":"https:\/\/sapiegurumai.lt\/en\/events\/moving-images-at-sapieha-palace-ana-vaz\/","title":{"rendered":"&#8220;Moving Images at Sapieha Palace&#8221;: Ana Vaz"},"content":{"rendered":"\n<style>\n  #item-text-content-block_68b1a75e3e196 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_68b1a75e3e196 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_68b1a75e3e196\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">Ana Vaz, artist and filmmaker, was born in the Brazilian Midwest, a landscape inhabited by ghosts buried beneath the modernist federal capital of Bras\u00edlia. Her filmography activates and questions cinema as an art of the (in)visible and as an instrument capable of transforming human perception, expanding its connections and becoming with other forms of life, both other-than-human and spectral. Vaz is also a founding member of the COYOTE collective, an interdisciplinary group that works at the intersection of ecology and political science through conceptual and experimental formats.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">\u2018I take cinema as a perspectivist medium, a medium able to produce partial realities, building artifices as worlds, world-forms made from myriad perspectives.\u2019\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">(Extract from the essay \u2018Filming in the Dark\u2019 by Ana Vaz, published in the anthology <\/span><i><span style=\"font-weight: 400;\">What is Real?<\/span><\/i><span style=\"font-weight: 400;\"> ed. Andr\u00e9a Picard, Post-\u00c9ditions, 2018)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Her first feature film, <\/span><i><span style=\"font-weight: 400;\">\u00c9 Noite na Am\u00e9rica<\/span><\/i><span style=\"font-weight: 400;\"> (2022), won awards at Locarno, Festival dei Popoli, Entrevues Belfort, and FIDOCS. Recent solo exhibitions include: \u2018O que aconteceu ainda est\u00e1 porvir\u2019 at Cinema Batalha (Porto, Portugal) and Solar (Vila do Conde, Portugal); \u2018It is Night in America\u2019 at Jeu de Paume (Paris, France), Piv\u00f4 (S\u00e3o Paulo, Brazil) and Escola das Artes (Porto, Portugal); High Line Channels (New York, US). Her films and installations have also featured in group exhibitions such as \u2018Do you believe in ghosts?\u2019 at the 24th Prix de la Fondation Ricard (Paris, France); \u2018L&#8217;\u00e9corce\u2019 at CRAC Alsace (Altkirch, France); \u2018Sh\u00e9h\u00e9razade, at night\u2019 at Palais de Tokyo (Paris, France).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Programme:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">A \u00c1RVORE (THE TREE), 2022, 20\u201932\u2019\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Commissioned by Azkuna Zentroa (Spain) for a collective exhibition sketching a constellation of filmmakers from different generations inspired by Bruce Baillie\u2019s universe, curated by Garbi\u00f1e Ortega.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Ana Vaz: \u2018In October of 2018, a year of overwhelming political and personal transformations, I decided to start filming a diary. I wanted to free myself from cinematographic practice as a constant exercise of projection and representation, and find a living cinema that would reflect the extraordinary quotidian side of life, with everything that usually remains on the sidelines, on the edges of a film. Without scripts, without projections, the camera would become an accomplice to some moments of life that would remain stored on celluloid until the day they would be revealed \u2013 a kind of metabolism of the image, where the practice of filming would be nothing more than a vital metabolic exercise. The images would thus become a mere capture of energies \u2013 spectral, historical, emotional. is a rite in the form of a film that spans from a conversation with my father A \u00c1RVORE \u2013 artist, musician, and mystic of the forest \u2013 Guilherme Vaz, someone who lived and reflected on the frontier, on the fatal advance of modernity over the peoples of the earth, someone who wrote music instinctively, who thought of cinema as his \u201cspiritual father\u201d and, above all, whose life was his greatest work.\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">IT IS NIGHT IN AMERICA (\u00c9 NOITE NA AM\u00c9RICA), 2021\u20132022, 66&#8242;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">On the wings of Brazil\u2019s aeroplane-shaped capital city \u2013 a necropolis transformed into an oasis by architects \u2013 thousands of trapped lives seek refuge in its gardens. IT IS NIGHT IN AMERICA (\u00c9 NOITE NA AM\u00c9RICA) was filmed at Bras\u00edlia Zoo, home to hundreds of rescued species fleeing the violence of agribusiness, urbanisation and the pollution of the Brazilian cerrado. As a nocturnal feast shot on expired 16mm film \u2013 a material also in danger of extinction \u2013 this immersive work casts an animalistic spell with shades of eco-horror, wildlife fictions, and documentary, subverting the limits of cinematic genres. Giant anteaters and otters, maned wolves, owls, and capybaras meet with biologists, veterinarians, caretakers and the environmental police in a sombre plot where the challenges of preserving life weave a web of intersecting perspectives. In the end, who are the real captives?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The works will be screened in the original language with Lithuanian and English subtitles.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Total duration: 1 hour 27 minutes.<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":13242,"template":"","event_category":[],"class_list":["post-12998","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/sapiegurumai.lt\/en\/events\/moving-images-at-sapieha-palace-ana-vaz\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Sapieg\u0173 r\u016bmai -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"\u201cMoving Images at Sapieha Palace\u201d: Ana Vaz - 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