{"id":12395,"date":"2025-07-16T13:33:08","date_gmt":"2025-07-16T13:33:08","guid":{"rendered":"https:\/\/sapiegurumai.lt\/?post_type=event&#038;p=12395"},"modified":"2025-07-16T13:53:40","modified_gmt":"2025-07-16T13:53:40","slug":"moving-images-at-sapieha-palace-screening-of-lina-lapelytes-new-works","status":"publish","type":"event","link":"https:\/\/sapiegurumai.lt\/en\/events\/moving-images-at-sapieha-palace-screening-of-lina-lapelytes-new-works\/","title":{"rendered":"Moving Images at Sapieha Palace: Screening of Lina Lapelyt\u0117&#8217;s New Works"},"content":{"rendered":"\n<style>\n  #item-text-content-block_6877a9c88eba8 {\n          }\n\n  @media (min-width: 1180px) {\n    #item-text-content-block_6877a9c88eba8 {\n                }\n  }\n<\/style>\n\n<div id=\"item-text-content-block_6877a9c88eba8\" class=\"item-text-content pt-48 pb-48\">\n\n  <div class=\"container container--mob item-text-content__inner\">\n\n              <div class=\"t-20 \n              t-dt-28 \n            rich\">\n        <p><span style=\"font-weight: 400;\">This special screening, part of the \u2018Moving Images at Sapieha Palace\u2019 programme, is presented in collaboration with \u2018Deep Rivers Run Silent\u2019 \u2013 a series of summer screenings and events. Lina Lapelyt\u0117\u2019s new works will be shown at the Railway Hangar of the Vilnius Railway Museum, Pelesos g. 10.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Based in Vilnius and London, Lina Lapelyt\u0117 is an artist whose performance-based practice is grounded in musical composition and sound. Her work critically engages with constructs of pop culture, gender norms, and collective memory, particularly nostalgia.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Programme:\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b><i>The Speech<\/i><\/b><b> | 2024 | 21 min<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Having devoted considerable attention to language in recent years, Lapelyt\u0117 has been exploring its limitations. To her, language increasingly appears as a tool of manipulation, prompting a search for alternative forms of communication, such as care and attentiveness to others, non-human life, and the environment. Created for the Festival d\u2019Automne \u00e0 Paris, <\/span><i><span style=\"font-weight: 400;\">The Speech<\/span><\/i><span style=\"font-weight: 400;\"> takes a radical approach by erasing all linguistic references. Nearly one hundred local children create a live sound sculpture, \u2018speaking\u2019 through imitated animal sounds. The work reflects on the failure of language, human fragility, empathy, imitation as a way of learning, and the unheard voices of the marginalised. While seemingly playful, the performance highlights a child&#8217;s still-forming sense of self, where the line between \u2018I\u2019 and \u2018other\u2019 is not yet clearly defined. Lapelyt\u0117\u2019s delicate, ephemeral intervention envisions a primordial world where humans and animals are still taking shape, inviting the audience to listen to a chimeric chorus of familiar and abstract sounds.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b><i>In the Dark, We Play<\/i><\/b><b> | 2025 | 36:36 min<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">In the Dark, We Play<\/span><\/i><span style=\"font-weight: 400;\"> is a site-specific performative video work by Lina Lapelyt\u0117, created in collaboration with Nouria Bah, Anat Ben-David, Angharad Davies, Sharon Gal, Rebecca Horrox, and Martynas Norvai\u0161as. Filmed inside The Cosmic House \u2013 Charles Jencks\u2019 former London home and a postmodern architectural manifesto \u2013\u00a0the work turns the space into a living stage for a polyphonic encounter between sound, architecture, and layered histories.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Drawing from William Stok\u2019s <\/span><i><span style=\"font-weight: 400;\">Cultural History Frieze<\/span><\/i><span style=\"font-weight: 400;\">, which charts a lineage of thinkers from Imhotep to Hannah Arendt, the piece reflects on humanity\u2019s ongoing search for meaning. However, rather than offering grand narratives, it foregrounds the personal, the mundane, and the poetic as equally significant forces.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Through a series of filmed musical and performative fragments, the work navigates cosmic and philosophical themes by juxtaposing the intellectual with the sensory, the historical with the contemporary. Performers move through the space like orbiting bodies \u2013 sometimes lingering with symbolic details, sometimes passing with fleeting gestures \u2013 creating a rhythm of presence, attention, and ambiguity.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The works will be screened in the original language with<\/span> <span style=\"font-weight: 400;\">Lithuanian subtitles.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Total duration: 57 minutes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The screening is free of charge.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Through the incorporation of both professional and untrained performers, <\/span><b>Lina Lapelyt\u0117<\/b><span style=\"font-weight: 400;\"> explores vocal expression across diverse musical traditions, including popular music and opera. These performative acts of singing are conceived as collective, affective experiences that interrogate notions of vulnerability, voice, and the mechanisms of silencing within social and cultural frameworks.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Lapelyt\u0117\u2019s works were shown at Festival d&#8217;Automne\/Bourse de Commerce, Paris (2024); Public Art Munich (2024); Wiener Festwochen (2023); FRAC, Nantes (2022); Lafayette Anticipations, Paris (2022); SPACE, London (2022); Gherdeina Biennale (2022); Zurcher Theater Spektakel (2022); Haus der Kunst, Munich (2021); 13th Kaunas Biennial (2021); BAM, NY (2021); MOCA, Los Angeles (2021); Kunstenfestivaldesarts, Brussels (2021); Tai Kwun, Hong Kong (2021); Glasgow International (2021); Riga Biennial <\/span><i><span style=\"font-weight: 400;\">RIBOCA2<\/span><\/i><span style=\"font-weight: 400;\"> (2020); Cartier Foundation, Paris (2019); Venice Biennial, Venice (2016 &amp; 2019); <\/span><i><span style=\"font-weight: 400;\">Waiting for another coming<\/span><\/i><span style=\"font-weight: 400;\">, CCA Ujazdowski, Warsaw (2018); <\/span><i><span style=\"font-weight: 400;\">Pirouette<\/span><\/i><span style=\"font-weight: 400;\">, Rupert (2017); <\/span><i><span style=\"font-weight: 400;\">Magma<\/span><\/i><span style=\"font-weight: 400;\">, National Gallery of Art, Vilnius (2017); Moderna Museet, Malmo (2017); FIAC, Paris (2017); <\/span><i><span style=\"font-weight: 400;\">Peculiar People<\/span><\/i><span style=\"font-weight: 400;\">, Focal Point Gallery.<\/span><\/p>\n      <\/div>\n    \n  <\/div>\n\n<\/div>\n","protected":false},"featured_media":12396,"template":"","event_category":[],"class_list":["post-12395","event","type-event","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - 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